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venerdì 30 aprile 2021

# gst: immediate 'shot', the three second time window in art, music, poems and language processing

<< Is there a universal time constant for poetic lines when people read them aloud or recite them by heart? Turner and Pöppel (1988) collected over 20 types of poetry, varying from East to West and from modern societies to indigenous cultures, and found a constant of ~3 s for the duration of poetic lines. >>️

<< This observation indicates a production– perception synchrony of ~3 s, which means that we not only tend to recite poems  (and speech in a more general sense; discussed later) with a 3-s pattern but also appreciate poems aesthetically within the same temporal frame. This temporal preference for a 3-s pattern and not a 1-s or a 10-s pattern, which linguistically would be possible, indicates presumably a profound evolutionary basis. The temporal modulation effect of the 3-s window on aesthetic appreciation may also motivate to look for other concepts and phenomena of the cognitive and neural basis of aesthetic perception in general and in detail, as has been partly already done for decision processes, the visual arts, and music (Avram et al., 2013; Bao et al., 2016; Bao et al., 2017; Park et al., 2014; Park et al., 2015; Pöppel, 1989a). >>

Xinchi Yu, Yan Bao. The three second time window in poems and language processing in general: Complementarity of discrete timing and temporal continuity.  PsyCh Journal. Vol 9, Issue 4 p. 429-443. doi: 10.1002/ pchj.390. Aug 26, 2020. 


<< the composer Peter Michael Hamel  (..) decided to compose a string quartet, which he called The Time Frame. This time window (the three second time window), which is an anthropological universal, provides an operative basis for effortless communication, empathic relationships to others, and it is the brain's way to integrate continuity and simultaneity of what is experienced in a complementary mode. >>️

Peter Michael Hamel. Through the self to music: The self as the creative origin for composing in time frames. Psych J. 10(2):249-253. doi: 10.1002/ pchj.446. Apr 12, 2021


Also 

Ramificata tinnula (di carmina fluitantia). Notes (quasi-stochastic poetry). Jun 09, 2005.


Elettrico Charlie (Seven come eleven). 
Notes (quasi-stochastic poetry). Feb 01, 2007. 


Il pseudomotore di Shostakovich. Notes (quasi-stochastic poetry). Nov 15, 2006. 


keyword 'jazz' in Notes (quasi-stochastic poetry)


FonT 

Queste considerazioni di Xinchi Yu e  Yan Bao potrebbero anche indicare una sorta di predisposizione neurofisiologica individuale all' 'immediato Satori' ... 









martedì 27 aprile 2021

# life: Occam's razor revisited, miss opportunities to improve through subtraction

<< A new study explains why people rarely look at a situation, object or idea that needs improving -- in all kinds of contexts -- and think to remove something as a solution. Instead, we almost always add some element, whether it helps or not. >>️

<< It happens in engineering design, which is my main interest, (..) But it also happens in writing, cooking and everything else -- just think about your own work and you will see it. The first thing that comes to our minds is, what can we add to make it better. Our paper shows we do this to our detriment, even when the only right answer is to subtract. Even with financial incentive, we still don't think to take away. >> Leidy Klotz.️

Why our brains miss opportunities to improve through subtraction. University of Virginia School of Engineering and Applied Science. Apr 7, 2021. 


Adams GS, Converse BA, et al. People systematically overlook subtractive changes. Nature 592, 258–261. doi: 10.1038/ s41586-021-03380-y. Apr 7,  2021.


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keyword 'occam' in FonT


keyword 'occam' in Notes (quasi-stochastic poetry)






sabato 24 aprile 2021

# gst: increase transport with disorder

<< Overcoming the detrimental effect of disorder at the nanoscale is very hard since disorder induces localization and an exponential suppression of transport efficiency. (AA) unveil novel and robust quantum transport regimes achievable in nanosystems by exploiting long-range hopping. (They) demonstrate that in a 1D disordered nanostructure in the presence of long-range hopping, transport efficiency, after decreasing exponentially with disorder at first, is then enhanced by disorder  [disorder-enhanced transport regime] until, counterintuitively, it reaches a disorder-independent transport regime, persisting over several orders of disorder magnitude in realistic systems. >>️

Nahum C. Chávez, Francesco Mattiotti, et al. Disorder-Enhanced and Disorder-Independent Transport with Long-Range Hopping: Application to Molecular Chains in Optical Cavities. Phys. Rev. Lett. 126, 153201. Apr 12,  2021.


Horacio M. Pastawski. Driving Transport with High Disorder. Physics 14, 57. Apr 12, 2021. 



keyword 'disordine' in Notes (quasi-stochastic poetry)






giovedì 22 aprile 2021

# life: cascading effects of noise on plants

<< Though noise may change moment by moment for humans, it has a more lasting effect on trees and plants. (..) human noise pollution affects the diversity of plant life in an ecosystem even after the noise has been removed. This is the first study that explores the long-term effects of noise on plant communities. >>
Cascading effects of noise on plants persist over long periods and after noise is removed. California Polytechnic State University. Apr 13, 2021. 


AA << found support for long-term negative effects of noise on tree seedling recruitment, evenness of woody plants and increasingly dissimilar vegetation communities with differences in noise levels. Furthermore, seedling recruitment and plant community composition did not recover following noise removal, possibly due in part to a lag in recovery among animals that disperse and pollinate plants. (They) results add to the limited evidence that noise has cascading ecological effects. Moreover, these effects may be long lasting and noise removal may not lead to immediate recovery. >>
Jennifer N. Phillips, Sarah E. Termondt, Clinton D. Francis.  Long-term noise pollution affects seedling recruitment and community composition, with negative effects persisting after removal. Proceedings of the Royal Society B. doi: 10.1098/ rspb.2020.2906. Apr 14, 2021.


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keyword 'noise' in FonT






domenica 18 aprile 2021

# life: what to think of playing at the first gig

<< When McLaughlin (John McLaughlin) asked keyboard player Chick Corea what Miles (Miles Davis) was thinking of playing at their first gig, Corea just looked at him and said: "I don’t know. Just be ready, that’s all." >>

Mick Wall. The story of Mahavishnu Orchestra: Devotional, dizzying, and downright revolutionary. Mar 30, 2021.  



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keywords '@flashontrack' & 'jazz' in Twitter


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keyword 'jazz' in Notes (quasi-stochastic poetry):









sabato 17 aprile 2021

# life: apropos of '1or2achoos' (from Wuhan), 'Shame on us', by Jay.

<< The year 2003 was an ominous one for emerging infectious diseases. A pair of deadly influenza strains had leapt from birds to humans in Hong Kong and the Netherlands. And a new coronavirus was spreading around the world causing a mysterious illness that became known as severe acute respiratory syndrome, or SARS. Many experts feared they were watching the start of a global pandemic. Fortunately, the worst-case scenario never materialized. But it was a close-enough call for Robert Webster, a leading authority on avian influenza, to start urging scientists and policymakers to prepare for the next outbreak. One of his top recommendations: develop and stockpile drugs that target a wide range of viral pathogens. Drug researchers did not heed his call. After the SARS threat subsided, interest evaporated — and the world paid the price. “The scientific community really should have developed universal antivirals against SARS,” says Webster, now an emeritus member of St Jude Children’s Research Hospital in Memphis, Tennessee. “Then we would have had something in the stockpile for the emergence of COVID,” which is a caused by SARS-CoV-2, a close relative of the virus responsible for SARS. Another warning shot came in 2012, when Middle East respiratory syndrome (MERS) — caused by another relative of SARS-CoV-2 — started spreading through a handful of countries. Still, the drug shelves remained largely bare — a fact that Jay Bradner, president of the Novartis Institutes for BioMedical Research in Cambridge, Massachusetts, regards as “regrettable”. >>️

<< Shame on us, (..) We can be better prepared. >> Jay Bradner.️

<< We need an arsenal, >> Kara Carter.

<< It’s hard to convince a company to make a drug against something that doesn’t exist. >>️  Timothy Sheahan.

<< There’s a lot of work that needs to be done, (..) We don’t want to have another year like 2020, (..) and we don’t have to, if we do the work in advance. >> Nat Moorman.️
Elie Dolgin. The race for antiviral drugs to beat COVID — and the next pandemic. Despite dire warnings, a stockpile of ready compounds to fight viral pandemics was sorely lacking. Can drugmakers finally do the right thing? Nature 592, 340-343. doi: 10.1038/ d41586-021-00958-4. Apr 14, 2021. 


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keyword 'virus' | 'sars-cov-2' in FonT



keyword 'virus' in Notes (quasi-stochastic poetry):


apropos of "herd immunity" ... , FonT,  Mar 16, 2020.





venerdì 16 aprile 2021

# life: non-human jazz from vibrant cobweb strings performed by a harp-like instrument

<< The spider lives in an environment of vibrating strings, (..) They don't see very well, so they sense their world through vibrations, which have different frequencies. (..) Such vibrations occur, for example, when the spider stretches a silk strand during construction, or when the wind or a trapped fly moves the web. (..) Webs could be a new source for musical inspiration that is very different from the usual human experience, >>️ Markus Buehler️

AA << scanned a natural spider web with a laser to capture 2D cross-sections and then used computer algorithms to reconstruct the web's 3D network. The team assigned different frequencies of sound to strands of the web, creating "notes" that they combined in patterns based on the web's 3D structure to generate melodies. The researchers then created a harp-like instrument and played the spider web music in several live performances around the world. >>️

Making music from spider webs. ACS - Am Chem Soc. Apr 12, 2021


Isabelle Su, Zhao Qin, et al. Imaging and analysis of a three-dimensional spider web architecture. J R Soc Interface. 15(146): 20180193. doi: 10.1098/ rsif.2018.0193. Sep 19, 2018.